Showing posts with label rajni kanth. Show all posts
Showing posts with label rajni kanth. Show all posts

Friday, October 01, 2010

Endhiran!



Sci-Fi movies have been rare in Tamizh movies. The genre is a difficult one - especially given the fact that the exposure of people, to enable them to think akin to the Matrix or the Bicentennial Man, is going to be difficult outside of the major cities in TN. Shankar, thanks to Sujatha's collaboration (my suspicion), has been able to deal with the concept/question of 'what if machines could feel emotions?' in a way that is very layman friendly.
Instead of trying to do a structured review, I think let me collate things that made me clap my hands (nod to where I'm writing this!)
  • Rajni Kanth - he is there in every scene of the movie and has stood up and delivered in a way that only he can. Thankfully, the movie had zilch heroism/image boosting scenes. Having said that, Rajni shows us a sneak peek into his power-packed performance days of 70s and 80s by playing the character of the Robot quite well. His robot character pretty much dominates the second half of the movie and if done badly would have caused a nasty stink. His comic timing, dialog delivery timing are almost impeccable and make us wish that he can turn the clock backwards and start growing younger. Of course, there were scenes where you were able to see through the make up of the scientist Rajni Kanth; But it is only a sad attestation to the fact even when he is 60 years old, there is no other lead actor who can take over the mantle from him. In terms of style and charisma, Rajni beats Vijay, Ajith, Surya, Vikram and all later actors put together black and blue. If any other actors claims to aspire to be the replacement to the Superstar title, they should be made to watch Endhiran and that will cure them of their conceit and vanity.
  • Graphics/Props - for Tamizh Cinema standards, the special effects, props and graphics were fantastic. Special mention has to go the sequences with multiple robots and the scenes where the skeletal robot makes its appearances. Lots of times money is spent in tamizh cinema on song sets and costumes (Shankar himself being the guilty one lots of times) - but here Shankar (and of course Sun Pictures) have put the gargantuan budget to good use. The detailing in some scenes and real life dynamics that have been incorporated into some scenes were quite good, again, considering we are talking about a tamizh movie.
  • Story/Screenplay - After some patchy work like Boys and Sivaji in terms of story and screenplay, Shankar makes a refreshing switch back to his halycon days of Mudhalvan, Indian with a solid story with a screenplay that kept me from looking at my watch for the entire running duration - a feat that only few tamizh movies have lived upto recently. Though not entirely flawless, I would say that Shankar's admission that this script was thought of a decade ago is true, given that is very well thought out and laid out like a crisp dosai!
  • Background Music/Songs - ARR - enough said!
Try as I might, it is difficult to pick a negative (fanatics of arthouse cinema, indie film junkies and perfection pattabhiramans, will not be seeing this movie and would not be reading this review as well!); But if I had to, the only thing would have been that though Rajni Kanth pulled off the role of the robot, it would have been amazing to see him in his youth doing the same role.
After a really really long time, I have seen a tamizh movie in the theaters which has made me feel that it was worth every cent!! Not often do you see a costly and hyped movie living up to its expectations, but Endhiran does; and I think Shankar owed me a big one after ditching me and robbing me of my money in Sivaji!!

If you liked Endhiran as well, go ahead and review it at www.clapsandboos.com

Sunday, September 12, 2010

Get Ready Folks!!




Thalaivar back to form. I hope Shankar does far better than Sivaji - The graphics in the movie is fantastic - almost comparable to Hollywood standards! Sep 24th, can't wait for it!!!!

Monday, June 30, 2008

Dasavatharam - Views

Its sad to see Kamal Haasan being reduced to this by the audience of Tamizh Cinema. The 10 roles are a gimmick and nothing more. In the roles of Shingen, Fletcher and the old woman, the make up is so heavy that any acting, whatsoever, is ruled out. And Flectcher, aptly (as he cannot 'act') wears shades and keeps running as if there is no tomorrow. Asin repeating "Perumalae" is a definite contender for the most irritating character in tamizh cinema award. The last 10 minutes - the Ulaganaayagane song, where they show Kamal 'undergoing' extensive make-up sessions seems to be an anti-thesis to what Kamal keeps saying on tv - that doing movies is not his work, but holiday. The screenplay is good till the interval and after that it is much like KrishnaVeni - senile and pointless. Music - is puke-able. And recently I heard that the only decent song, Kallai Mattum Kandaal song is also a rip-off!!! Its pathetic that Rajni and Kamal, the two pillars which has made Tamizh cinema survive in terms of money and quality, have given us cardboardish movies in Sivaji and Dasavadharam. I hope both of them decide to hang up their boots. Kamal Haasan's looks (as Govind) easily matches his worst so far - Vasool Raja and Vettaiaadu Vilayadu! After seeing people like Surya having six pack abs, its no longer to pleasure to see Kamal and Ajit having a paunch and Vijay looking like an AIDS stricken patient.

Cast:

Its Kamal Haasan in all the important roles. Out of these, the pick is Balaram Naidu whose wit and one liners keep you interested in the movie. The character of Rangarajan Nambi is good as well. Asin is downright irritating. If I were Govind in the movie, I'd be trying to be as far away from Asin, as possible - but as they say Vidhi Valiyadhu and Govind ends up being in love with Asin.

Tech Crew:
KSR - 25/100
Cameraman (Ravi Varman, I guess) - 80/100
Music - 0/100
BGM - 30/100
Make up - Biggest letdown - no marks!

History/facts Distorted:
Kamal Haasan (or the director KSR) is confused between Shavities and Smaarthas. People who are called Iyers of today (except the Ashtasastram sub-sect) are Smaarthas and have neither ill-will towards Maha Vishnu nor particular attachment to Parameswaran. In fact, in the Sandyavandhana ritual, we do say, Asavadityo Brahma / Brahmaivaasmi// meaning, Light/Sun is the only God and I myself am a manifestion of Sun. I make an educated guess that Vadakalai Iyengars, who I think have their scriptures in Sanskrit, follow Yajur Upakarma which means they might have the same Aikyanusandhaanam. I have been to Chidambaram, but failed to notice if the Perumaal there is vadakalai or then-kalai. But going by logic, with the Nataraja being non-lingam form, which is a classical Chozha/Aadheenam/pre- 'rise of thenkalai' trait, I'm tempted to believe that the perumal has to be vadakalai too - which makes the whole 12th century epsiode shaky and iffy as Kamal Haasan says, "Adiyen Ramanuja Daasan" - meaning he is a then-kalai Iyengar. I'm not a pro on the history of Smaarthas and Iyengars, but someone who is more knowledgable, please enlighten me on this. And in fact, when I say Smaarthas are not anti-Vishnu, there can be no greater proof than Maha Periyava Sri Chandrasekharendra Saraswathi of Kanchi Sankara Math (I'm not calling on jayendra Saraswathi because of various reasons - the prime being, I myself am not convinced that the Math is as sacred it was when Maha Periyava was the Mata-athipathi) who signs (they cannot ink their name as they have renounced the world ) as "Naarayana-Smriti" (meaning, a Tool of Sri Naarayana). Well, people can ask me why the heck I dissect a masala movie thus far - its just to show how the concept of Brahmism has been raped and interpreted in totally erroneous ways, thanks to the Dravida Movement.


P.S: I'm trying to come up with a post as to the origin of the Vedas, which I came to know by attending some arbit discourse in April 2007 in Chennai (when I had actually gone there for Arusuvai Arasu's Canteen's Badam Alwa and some vadais. :D). Any help with regard to that is welcome!

Friday, November 23, 2007

Sunday, September 09, 2007

Sunday Matinee


Thanks to a good friend of mine, I got a DVD with a combo of, well hold your breath, Thalapathy and Nayagan! Well, that's a set of movies for which I wouldn't mind giving away two tickets to the US of A from Timbuktu :)


Anyways, got around to watching Thalapathy today and to put Rajni Kanth's performance in one word - Fantastic! I've always maintained that for an intense and underplayed role, any day, I would choose Rajni over Kamal. In this movie, Rajni, sans any of his usual 'style', comes as another slum dweller - he in fact, comes throughout the movie in some 3 - 4 shirts only. Full credit to the Magician from Madras, Mani Ratnam in making Rajni play a character which was right up to his strengths. And Santosh Sivan's amazing camera work - Since this movie has a Mahabharathaic origin, each shot has the Sun in it and the interplay of shadows reflects the moods and feelings of the characters in the scene - simply super shot composition and execution. I don't know how this movie was shot - with such accurate lighting effects and effects, I think they couldn't have more than a scene a day.... I simply loved watching this movie, for perhaps the 85th time. Also the still shown above is a rare one - but my personal favorite.


Lots of people like some other songs from this movie, but my favorite in terms of visualization and song is this ( I wish Shobana had also shown a glimpse of her dance skills - I generally don't see Bharathanatyam, but Shobana is one who really makes me see the art form):

Thursday, September 06, 2007

Whats it with blogs and spelling mistakes?

Well, I'm not one of those walking talking Shakespeare kinds, but still, the number of spelling and grammatical mistakes in my blog shames me beyond no end. Perhaps, its my 'by-now' famous impatient, frenzied typing style which causes it or my long time hatred to read and revise what I've written (this started when I was in standard 4 and upon revising my social studies answer paper, I realised I had majorly screwed up my numbering in the 'map' question..... from then on, it was the classic Annamalai dialog "Indha naal un calender la kuricho vechukko LKS - inime answer paper revise panninena, un seruppaliye unnai adichuko" kinds.) And you people have been nice enough never to comment on my mistakes :)

LKS