Trivial - No More

I have, over the last one year, had the opportunity to see the impact of online persona over the actual persona. Recently, a few of my friends launched Claps and Boos, which is based on the desire of people to be socially networked online and the other big interest of most Tamizh makkal/Desis - movies. As a part of doing some spadework, I realized how much people let others know of themselves online.

I have over the last one year, hoped to maintain some form of online anonymity. I make sure my updates on Facebook is seen only by people whom I know and trust, deleted my Orkut account and of course, culled out most of the personal references from my blog as well. While people have called me anything from paranoid to being a jerk to keep most of my facebook friends on the other side of the wall (pun intended), I can only say that there is some method to the madness.

Family - Previously when I was in high school, college, there was an easier way to keep family and friends apart - but now it is beginning to get difficult. When a friend puts one number risqué comment on my wall/blog, I'm quite at a dilemma as to what to do. I hate to delete people's posts/comments as I do not believe in censorship - but, I can only imagine my mom doing a double take seeing some of the stuff that my friends seem to say/write. I have not solved this one just as yet as the only other way is to put my family on the other side of the wall - which will have serious repercussions which I do not desire. Right now, I think my family is becoming sane enough to realize what to see and what not to see. :) And recently, when Orkut Tamizh Cinema Community was hacked by a moron and was held to ransom, I realized how open/vulnerable personal information is when some idiot tries to hack you over reasons that are so stupid, that it is not worth risking your family's online information - especially when you have a substantially younger sister. Nothing is worth seeing your family pulled into the public over some stupid (non-)reasons

Work - Recently, when my company was trying to hire someone, my manager walked up to me and asked me to do some Facebook/LinkedIn research on a potential candidate he is vetting. even though I knew since 2006 that people were looking into these stuff, being asked to do that and finding some information that was really not pleasant to report to my manager has created a permanent scar on me to ever attempt a completely transparent online profile of any sort - especially Facebook which is supposed to be a completely personal application. I do maintain that I try to have a different set of actions at work - just because of the industry we work for, I cannot be as opinionated as I'm in my personal life. So, that has a great deal in this desire to be anonymous.

Friends - This is one of the prime reasons, though its been listed third; I have over the course of last few years, gotten to know some fantastic people online - with Blogeswari, Hawkeye and MeThinks topping the list, who, I would have never known if not for the internet. In fact, internet has also been responsible for me knowing RealNirmal better from the image I had of him from my college days - he had a particular nickname which was not easy to like, you see! :)  But for the past couple of years, I have been waging a battle against many of my friends' perceptions of what certain comments/blog-posts/wall posts mean. While I have completely avowed my lack of trust/interest over finding any kind of relationship online, people seem to want to give their own spin to what I say, the pictures I post etc. This is fine when it happens to be tongue in cheek comments from people I know well, but sometimes some idiots online do not know the level of liberty to take and barge in on a completely personal thread with a friend. Decidedly random acts of adding people, liking something online are given twists to bizzare, that I have stopped accepting any friend requests from people I do not know!


To summarize, I want to see whether I can doctor/cultivate my online image. I have already seen some success as some of the folks who read my blog think I'm an extreme right wing guy, while people who talk to me in person are of the decided opinion that I'm quite on the other side of the world. So far so good, lets see!

Politics in Tamizh Cinema

Written for Claps and Boos.

Since the time that Kalaignar M. Karunanidhi and Bharat Ratna M.G. Ramachandran used their movies to propagate their ideals to the masses, Tamil films have always had a intertwined relationship with the politics in Tamil Nadu.

While there has been no dearth of actors in politics and politicians in movies in Tamizh Nadu, there have been very few movies dealing with Politics in Tamizh Movies. Here is a look at few of them (not exhaustive or based on any merit - just a few of the recent ones):

1. Iruvar - This is, in my opinion, one of the best bio-pics made in Tamizh Cinema. Mani Ratnam does an amazing job in picking two characters best known in Tamizh Arasiyal (politics) - that of MGR and Karunanidhi and has based his movie on their lives. (To be politically correct, lets just say they were based). The best thing that Mani Ratnam did was to avoid showing one of them as the villain or a negative character. Anandan's intentions behind politics (To eradicate poverty) and Tamizhselvan's Dravidian philosophy are shown countermanding from the first scene in which Anandan and TamizhSelvan meet. The weakness and insecurity that both these giants of TN Politics go through in the movie are brilliantly portrayed by Mohan Lal who plays Anandhan and Prakash Raj who plays Tamizhselvan. The scene where Anandan comes out on the terrace of Tamizhchelvan's house and sees the crowd is a perfect scene of movie making basics, and of course A.R. Rahman's awe-inspiring BGM. For many Tamizh Cinema fans who complain that Rahman does not do justice to BGMs, please see his works with Mani and you shall know the man's genius. The others in the cast, too, perform amply within the scope - with the pick of them being Gauthami and Rajesh.
2. Ayitha Ezhuthu - A populist story, Mani Ratnam deals with college politics and how rowdyism has come to play a ever present role in politics. This movie literally revealed two actors to Tamizh Cinema, who have gone places after this movie. First is the best performer in this movie, R. Madhavan, who playing Inbasekar, completely overwhelms you. He is not playing a likeable character - and being recognized as Alaipaayudhey Madhavan, it must have been difficult for him to convince the audience as a out and out moral-less and unscrupulous character. The real victory for Mani and of course, Madhavan is that by the end of the movie, you really hated Inbasekar, which was an accomplishment of sorts, for the public image of Madhavan at that point of time was that of a chocolate boy. The second winner in this movie was Surya - who played a populist, slightly-left student politician, Michael Vasanth. Surya, who had matured through Nandha, grown through Kaakha Kaakha, arrived through Ayitha Ezhuthu. It is interesting to note that R. Madhavan has scaled new heights in Indian cinema with varied and versatile roles in Rang De Basanti and 3 Idiots, while Surya is now a frontline actor who, has carefully balanced mindless masala movies like Aaru and noteworthy, versatile movies like Vaaranam Aayiram. Inspired from Amerros Perros, Mani Ratnam crafted a screenplay wherein a shooting incident is the central spot of meeting for the the three characters in the movie. This movie though, was not one amongst Mani's best efforts and the third track involving Siddarth was not as well developed as one expects in a Mani movie. The other revelation in this movie was Bharathi Raja, who plays the corrupt minister, Selvanayagam who brings such realism to his character that it sometimes hurts! This was the first album where Rahman went all out with an international feel - Dol Dol, Hey Goodbye Nanba and Yakkai Thiri being new sounds for the Tamizh ears. And incidentally, Yakkai Thiri was one of those few songs in Tamizh music that does not have any verbs in it. (Trivia time?!)
3. Makkal-aatchchi - R.K. Selvamani's masterpiece tells about a the tale of Mamootty, who gets involved in politics purely by chance and rises to the position of a Chief Minister of a state. This movie put in solid scenes what people were till then assuming about the rich and powerful in politics then - that they had little to no ethics, no morals and would go to any lengths for money and power. The movie starts off well and the first half is as good as any other movie in Tamizh Cinema. The second half has lots of twists (some of them unneeded) and at the end of the movie you do not know whether you can believe what our leaders say in the media. Mamootty as expected, takes the honors in the acting department while the movie also boasts of some sharp editing work. The music, as can be expected of non-Ilayaraja or non-Rahman movies of those times is hardly note-worthy.
4. Mudhalvan - Shankar's take on current affairs and politics, this movie creates a fantasy genre in political movies. Originally supposed to have been scripted for none other than the Superstar Rajni Kanth, this movie, surprisingly has Arjun Sarja in the lead and ends up being one of Arjun's best works - apart from Gentleman and Ayudha Poojai. The movie has a very identifiable cause - that politicians are more concerned about their vote-bank and so resort to caste politics and of course Shankar's pet theme - Corruption. The screenplay is one of the best in TC - there is almost no sag in the story till the end. And the lines by Sujatha were brilliant, especially the interview scene between Pughazendhi (Arjun) and Aranganathan (Raghuvaran). The only complaint with this movie was the romantic angle, played by Manisha Koirala who pretty much comes only for duets. Coming to duets, this movie again has A.R. Rahman at the helm and he churns out delightful numbers and some terrific BGMs too - especially for the scenes when Arjun is the CM for a day.
5. Bharath Bandh - This was a movie I had seen when I was really young and I suspect is a Telugu dubbed movie. This movie again, is based on Political intrigue and as suggested by its title is based around a bandh organized by some politicians for their personal gains. This movie, though, not great in terms of acting or cast (the lone saviour being the national award winning actress, Archana), shows you a sample of how politicians make self centered and short sighted decisions, purely based on their and their kin's well being with little or no regard for the public who voted them to power. The movie also features some gruesome killings and violence.

The interesting thing has been that though the perceived ills of politics - namely, caste/religion based politics, pseudo-secularism, corruption, coercion and rowdyism have been graphically represented in movies like the ones listed above and many others, it is pitiable that nothing has changed. It is really disappointing to see even well educated people getting involved in caste wars and tax evasion issues, even as recently as yesterday!!